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    Sonic icons: prominent moments of cinematic self-reflexivity
    (2018-11-21)
    History produces sound recordings. And sound recordings shape history in turn. This interrelationship is clearly attested to in recordings of historical voices, such as that of John F. Kennedy’s speech before the Schöneberger Rathaus in Berlin on June 26, 1963. Sections of this recording have taken on a life of their own, becoming iconic sound bites over the course of their frequent rebroadcasting, not least Kennedy’s famous phrase “Ich bin ein Berliner”.
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      217  173
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    Audio history of film: introduction
    The relationship between film and history has assumed many and varied forms over the course of time. During the twentieth century, film increasingly became a medium through which contemporary political and historical events were discussed and interpreted. Cinematic narration of history influenced twentieth-century film production in myriad ways and constantly challenged “classical” historiography, especially its function of disseminating historical knowledge.
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      245  238
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    Issue 1: The Long path to audio-visual history : editorial
    Editorial introduction to the first issue of the journal "Research in Film and History". The articles published in this issue are intended to serve as a catalyst for further debate, new research approaches, and critical discussion of existing interdisciplinary research into film and history.
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      227  129
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    Sound space as a space of community: on the playful construction of history in THE THREE BURIALS OF MELQUIADES ESTRADA
    (2018-11-23)
    Like narrative storytelling, historiography requires a medium. With this in mind, Hayden White described the process of writing a history of the nineteenth century as a poetological technique, a process that could equally be conducted via the medium of film.
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      156  131