Berg, OlafOlafBerg2021-04-202021-04-202021-01-282627-5848https://media.suub.uni-bremen.de/handle/elib/4727https://doi.org/10.26092/elib/524The article combines Walter Benjamin's concept of the dialectical image and Gilles Deleuze's concept of the time-image to develop an approach to using film as an instrument in historical research.enAttribution-NonCommercial-NoDerivs 3.0 Germanyhttp://creativecommons.org/licenses/by-nc-nd/3.0/de/Forschungsmethodekritische TheoriedialecticsWalter BenjaminGilles DeleuzeAlexander Klugeresearch methodShoahNuit er Brouillard50Benjamin and Deleuze: approaches to a critical history in film imagesText::Zeitschrift::Wissenschaftlicher Artikel10.26092/elib/524urn:nbn:de:gbv:46-elib47278