Öhner, VrääthVrääthÖhner2020-10-262020-10-262018-11-232627-5848https://media.suub.uni-bremen.de/handle/elib/447810.26092/elib/275While it might already seem unusual to turn attention first and foremost to the soundtrack in a study of documentary film, it probably seems even more unusual if the field of study is limited to the use of sound in historical (television) documentaries. But the situation threatens to become entirely absurd if we reduce the field even more and focus on the least prominent aspect of the soundtrack, noise.7enAttribution-NonCommercial-NoDerivs 3.0 Germanyhttp://creativecommons.org/licenses/by-nc-nd/3.0/de/Dokumentarfilm / FernsehenGeschichteFilmmusikGeräusch <Motiv>50Artikel/Aufsatzurn:nbn:de:gbv:46-elib44784