Institut für Kunstwissenschaft – Filmwissenschaft – Kunstpädagogik
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Item type:Publication, Issue 2: Research, Debates and Projects 2.0 : editorial(2019-11-25)An editorial of the second issue of the journal "Research in Film and History" that explores current research, debates, and projects at the intersection between the disciplines of film studies and history.journal articleHeft:Issue 2211 101 - Some of the metrics are blocked by yourconsent settings
Item type:Publication, Issue 3: Sources – Meaning – Experience : editorial(2021-01-28)Editorial introduction to the third issue of the journal Research in Film and History.journal articleHeft:3264 127 - Some of the metrics are blocked by yourconsent settings
Item type:Publication, Experiencing history in film: an empirical study of the link between film perception and historical consciousness(2018-11-23)Fictional films based on history—films that seek to restage past times, events, and individuals—enjoy great popularity. Relevant publications on the issue generally assume that our current knowledge of history is primarily communicated by film, and not the schools.journal articleHeft:1194 542 - Some of the metrics are blocked by yourconsent settings
Item type:Publication, Recording and modeling: on the desire for presence in historical documentaries(2018-11-23)While it might already seem unusual to turn attention first and foremost to the soundtrack in a study of documentary film, it probably seems even more unusual if the field of study is limited to the use of sound in historical (television) documentaries. But the situation threatens to become entirely absurd if we reduce the field even more and focus on the least prominent aspect of the soundtrack, noise.journal articleHeft:1165 133 - Some of the metrics are blocked by yourconsent settings
Item type:Publication, Historical turns: on CALIGARI, Kracauer and new film history(2018-11-23)The advent of New Film History a quarter-century ago was preceded by a far earlier “historical turn.” Challenging natural law theory, with its appeal to the atemporal and universal aspects of human nature, nineteenth-century German historicism had asserted the historicity and uniqueness of all sociocultural phenomena and values.journal articleHeft:1177 126 - Some of the metrics are blocked by yourconsent settings
Item type:Publication, Audio history of film: introduction(2018-11-21); ; The relationship between film and history has assumed many and varied forms over the course of time. During the twentieth century, film increasingly became a medium through which contemporary political and historical events were discussed and interpreted. Cinematic narration of history influenced twentieth-century film production in myriad ways and constantly challenged “classical” historiography, especially its function of disseminating historical knowledge.journal articleHeft:New Approaches245 230 - Some of the metrics are blocked by yourconsent settings
Item type:Publication, Mexican public health history through film: the riches of a film archive, 1945–1970(2019-11-25)In Mexico, the use of film for educational campaigns on hygiene and public health topics has a long history, beginning with the films made by the Ministry of Health (Secretaría de Salud) under the presidency of Porfirio Díaz in the late nineteenth century. Subsequently, in the early twentieth century, American films were used at two important moments in the history of Mexican public health. Due to the predominance of American films, Mexican public health educational films have remained largely unknown.journal articleBand:Issue 2Heft:2212 160 - Some of the metrics are blocked by yourconsent settings
Item type:Publication, Liberated on film: images and narratives of camp liberation in historical footage and feature filmsSince SS camp personnel obeyed the strict prohibition against photography in Nazi annihilation, concentration, and work camps, the footage that Allied cameramen shot in such camps during and shortly after their liberation filled this void in visual documentation. Thus, what we imagine went on in Nazi camps while in operation has been shaped by pictures that document their very last stages. So, though the arrival of Allied soldiers was a turning point for survivors, the film that Allied cameramen shot in those days tells us more about the effects of Nazi terror than about survivors’ liberation from it.journal articleBand:Issue 2Heft:2294 363 - Some of the metrics are blocked by yourconsent settings
Item type:Publication, Kracauer's theory of history and film(2018-11-23)Reading Siegfried Kracauer’s letters and texts in which he discusses his own efforts it becomes clear that he has a consistent interest in philosophy and also considers himself a philosopher. Therefore, in the following, I would like to try to discuss Kracauer, using his own concepts.journal articleHeft:1203 609 - Some of the metrics are blocked by yourconsent settings
Item type:Publication, Be part of history: documentary film and mass participation in the age of YouTube(2019-11-25)An increasing number of online documentaries are challenging the understanding of film in general and the term 'documentary' in particular. There are whole new landscapes of documentary projects that use different media to present their visual content and address the viewer through a variety of platforms.journal articleHeft:Issue 2217 226